Alex Colard

ABOUT the artist

Paintings of paintings have got their composition (shape, space, surface, etc.) by how much of the wall surface or room chosen to be depicted. The painting thus consists of the object depicted, as well as the surrounding space (floor, wall, etc.). canvas ”). By painting the artwork, they again end up within the limiting surface of a two-dimensional painting’s delimiting edges. The depicted works of art are abstract but I am interested in the idea that my paintings are not abstract, as they depict an actual object. Although it may seem absurd to paint a work of art, it is not really stranger than to paint a flower.

Still life
I have for a long time admired the surfaces in still life painting (the edge of the table, the table surface and the room above the table). My still life paintings have thus received their composition from these surfaces. They have been painted in a rather abstract way, which they have in common with the still lifes of many other artists. In my still life paintings, only an empty table has been depicted, which makes the paintings reminiscent of color field painting. The paintings are a tribute to the still life and the color field painting.

Setting a Good Corner
In 2008 I did a hike through Europe, from Sassnitz in Germany to Finisterra in Spain. The only time I visited an art exhibition during the trip was in Frankfurt am Main where they had a video installation by Bruce Nauman, which showed when the artist put up a fence in the form of a corner out on his ranch. For some reason, Nauman’s work remained with me and in recent years I have made a few paintings inspired by his work Setting a Good Corner.

About the artist
Jens Fröberg studied at Valand Academy of the Arts 2005-2009 and the Academy of Fine Arts Vienna 2012-2017.

ABOUT the exhibition 

We are very happy to finally be able to present Jens Fröberg in Lilla Galleriet.  The exhibition has been postponed due to the pandemic.  Below, the artist tells himself about his installation: The exhibition consists of three different series of paintings.  3D Paintings of paintings Paintings of paintings have been given their composition (shape, space, surface, etc.) by how much of the wall surface or room chosen to be depicted.  The painting thus consists of the object depicted, as well as the space around it (floor, wall, etc.).  “).  By painting the artwork, they again end up within the limiting surface of a two-dimensional painting’s delimiting edges.  The depicted works of art are abstract but I am interested in the idea that my paintings are not abstract, as they depict an actual object.  Although it may seem absurd to paint a work of art, it is not really stranger than to paint a flower.  Still life I have for a long time admired the surfaces in still life painting (the edge of the table, the table surface and the room above the table).  My still life paintings have thus received their composition from these surfaces.  They have been painted in a rather abstract way, which they have in common with the still lifes of many other artists.  In my still life paintings, only an empty table has been depicted, which makes the paintings reminiscent of color field painting.  The paintings are a tribute to the still life and the color field painting.  Setting a Good Corner In 2008 I did a hike through Europe, from Sassnitz in Germany to Finisterra Spain.  The only time I visited an art exhibition during the trip was in Frankfurt am Main where they had a video installation by Bruce Nauman, which showed when the artist put up a fence in the form of a corner out on his ranch.  For some reason, Nauman’s work remained with me and in recent years I have made a few paintings inspired by his work Setting a Good Corner.  About the artist Jens Fröberg studied at the Valand School of Art 2005-2009 and the Academy of Fine Arts Vienna 2012-2017.

ABOUT the gallery 

SKF / KONSTNÄRSHUSET: A unique and open place for art and culture – present, tradition and future in the middle of Stockholm City
The Swedish Artists’ Association (SKF) is the main owner of Konstnärshuset, a Venetian palace from 1899. Our main activity consists of exhibitions of contemporary art, but also seminars, lectures and workshops.

SKF / Konstnärshuset should not be confused with Konstnärerlubben. SKF conducts exhibition activities, SKF membership activities and rental of most of the premises in the building. SKF is responsible for Konstnärshuset’s management through a property management company.

SKF’s values ​​are based on participation, openness, gender equality, diversity and the equal value of all people.

SKF / Showroom mediates works of art for sale.

Every year we award scholarships to professional artists.

SKF currently has around 900 members who are professional artists or architects, and within the association there are regularly a number of different member activities.

Due to the #MeToo movement, SKF’s board wants to clarify that SKF supports the fight against sexual harassment, and sexist or otherwise oppressive power structures.

Vision SKF and Konstnärshuset
Is contemporary, professional and cares about artistic quality, openness, accessibility and equality in both content and appeal
Is a living meeting place where different worlds and artistic networks are given the opportunity for exchange and future collaboration
She, he and he of all ages feel welcome. A vision that the association SKF has stood for since it was formed in 1890
Values ​​SKF
SKF’s values ​​are based on participation, openness, gender equality, diversity, democracy and the equal value of all people.

Organisation
The association has a board, where all members are artists and members of SKF

The 2020 board consists of:
Martin Ålund, chairman
contact: ordforande@konstnarshuset.org
Maria Backman, Member
Ebba Bohlin, Member
Erika Dahlén, alternate
Andreas Ribbung, Member
Maria Toll, Member
Stefan Uhlinder, member
Sissel Wibom, Member

History
The idea of ​​a common house for all Swedish artists was realized by the Swedish Artists’ Association.
The Swedish Artists ‘Association (SKF) was founded in 1890. The Artists’ House was completed in 1899.

SKF owns Konstnärshuset until 5/7. The artists’ club has its premises on the 2nd floor and owns 2/7.

Konstnärshuset has been a listed building since 1999. Its façade design is one of the few examples of Venetian architecture in Sweden. The building is characterized by great artistry and craftsmanship and several famous artists, artisans and architects have done work in and on the house.

The building as a whole and individual valuable parts such as lavish interiors are largely preserved from construction. The entrance and stairwell have been restored and partially reconstructed since two fires in 1970 and 1971. http://konstnarshuset.org/